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Livingetc reports seeing preserved-flower resin in a range of recent interiors and design projects, including a botanical bar counter at Paris herbal infusion house Apoticari and works by artist Marcin Rusak. The report describes the material’s renewed visibility as a design trend, but provides no sales figures or broader market data to show how widespread it is.
Preserved flowers set in resin are appearing in a range of interiors and design projects featured in a new Livingetc report, including a floral resin bar at Apoticari, a Paris herbal infusion house, and botanical works by Polish artist and designer Marcin Rusak. The report describes a renewed design interest in the material, though it does not provide sales figures or other data establishing how widespread the trend is.
At Apoticari’s La Tisanerie, which opened in September in Paris’s Haut-Marais, a flower-filled resin counter serves as a focal point for a space centered on herbal infusions. The report identifies the venue as Paris’s first dedicated herbal infusion house and says its founder, Elsa Snakers, aims to present herbal tea as a modern ritual. The counter links the interior’s botanical theme to the products served there.
The article also points to work by designers and makers using resin in furniture and lighting. It highlights the Gelo side tables by Monologue and Paraforma, described by MAY agency founder Romain Casella as hand-cast pieces with varied finishes and colors. Casella also mentions Dutch designer Sabine Marcelis’s Totem Lights and Austrian designer Laurids Gallée’s Node 01 light, in which resin and light appear suspended.
Rusak’s Flora Herbarium Clear Amber 152 is another example. The report says the work was due to be presented at Salon Art + Design in New York from November 4 to 8. Rusak frames preserved botanical pieces as possible records of how people in a particular period related to nature and beauty; that is his stated intention, not a claim that the work documents a settled historical account.
Why Designers Are Preserving Flowers
Resin can hold petals in a fixed arrangement while making them part of a functional object, such as a counter, table or light. That gives designers a way to bring botanical imagery into an interior without relying on fresh flowers, which change and eventually wilt. The projects in the report use the material both as a practical surface and as a visual element.
Casella told Livingetc that the appeal includes nostalgia and the idea of “freezing time.” He compared the effect to a mosquito preserved in amber in the film Jurassic Park, saying that a fixed object can feel reassuring amid unstable times. This is his interpretation of the trend, not a measured explanation shared by every designer.
For readers, the development offers a snapshot of how hospitality spaces and collectible design are using materials to express a botanical identity. The report’s examples show that preserved-flower resin is appearing across different settings, but they do not establish whether consumer demand is increasing or how many projects use the material.
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A Material With Earlier Design Waves
Livingetc says floral epoxy resin furniture originated in the 1940s and was revived in the 1980s. The current visibility described in the article is therefore a return to an existing design approach, rather than a newly invented technique. The report also places the renewed interest alongside a broader appetite for amber tones in interiors, without supplying market research to quantify either trend.
The article connects the examples to Livingetc’s Style Pulse S/S27 report, which names “One Decorative Gesture” among design moments it expects to shape interiors in the year ahead. That is the publication’s forecast. The article’s examples—from a Paris venue to resin lighting and Rusak’s botanical objects—illustrate the forecast but do not independently confirm its reach.
““We’re deliberately choosing to freeze time — and there’s something reassuring in that in such unstable times: it doesn’t move; it’s there, still.””
— Romain Casella, founder and director of MAY, speaking to Livingetc
How Broad Is the Resin Revival?
The report documents selected projects and the writer’s recent encounters with the material; it does not quantify how many designers or venues are using preserved-flower resin. No sales, production or consumer survey data is cited, so the scale of the reported revival remains unclear.
The article also does not detail the materials, manufacturing methods or long-term durability of each featured resin piece. It is not clear whether the examples share a common production process, or how the objects perform with use over time. The article’s description of a trend should be read as editorial observation and forecast, not proof of a sector-wide shift.
Upcoming Design Fair Presentation
The next event identified in the report is Salon Art + Design, scheduled for November 4–8 at the Park Avenue Armory in New York, where Rusak was expected to show Flora Herbarium Clear Amber 152. The presentation could give visitors another opportunity to see his preserved botanical work, although the source does not report what happened at the fair after its publication.
Further evidence of the trend’s reach would require more than a series of selected examples: later reporting could track additional installations, designer projects or market data. For now, the confirmed development is that several named projects are using floral resin and that Livingetc has identified the material as a design trend to watch.
Key Questions
What is floral resin?
Floral resin is resin used to encase or incorporate flowers and other botanical material into objects such as furniture, counters or lighting. The Livingetc report does not specify one standard manufacturing method for all the pieces it discusses.
Where is the floral resin bar mentioned in the report?
The report describes a flower-enriched resin counter at Apoticari’s La Tisanerie, a herbal infusion house in Paris’s Haut-Marais that opened in September.
Which designers and projects does the article highlight?
Examples include Monologue and Paraforma’s Gelo side tables, lighting by Sabine Marcelis and Laurids Gallée, and botanical works by Marcin Rusak.
Does the report prove floral resin is a widespread trend?
No. It describes several projects and the publication’s design forecast, but gives no sales figures or market-wide data establishing how widespread the material’s use is.
When and where was Rusak expected to show his work?
Livingetc said Rusak was taking Flora Herbarium Clear Amber 152 to Salon Art + Design at New York’s Park Avenue Armory, scheduled for November 4–8. The source does not provide a later update confirming the presentation took place.
Source: livingetc.com
